Monday, November 6, 2017

The Most Famous Cartoonist in the World

       
1907 [1] September 30.
‘The Most Famous Cartoonist in the World,’ 
by George Ade, 
Fitchburg Daily Sentinel, 
March 29, 1910

1915 [2] October advert.
1904 [3] John Tinney McCutceon.
IN THESE DAYS of factory journalism with the Archimedean lever being worked by motors and the ‘department’ displacing the old time editor, it means something when a regular day-to-day newspaper worker attaches to himself a real following of faithful believers. Many a brash young specialist can do the mushroom act. He bounds into the Sunday supplement with a brand-new conception entitled ‘Tikey the Tuff,’ or possibly ‘The Brutal Twins,’ (the ones that fire buckshot into their grandmother) and for a few weeks he is a vogue, then he dwindles from a necessary evil to an unmistakable pest and winds up as an unpleasant reminiscence.
1934 [4] January 7.
Most of the geniuses who make pictures for the newspapers are so funny they cannot last. Furthermore, they seem to think that the cranial angle of the regular subscriber corresponds to that of the African ant-eater. It is a relief to find a newspaper artist who is not straining to be irresistibly comical — who is content to catch the tableaux from the passing show and submit them to us in a mood that is simple, kindly and human. 
    
1915 [5] July 25, ‘Father and Son,’ Chicago Tribune.
John McCutcheon began making cartoons for Chicago newspapers about fifteen years ago. He has taken long jumps into all parts of the world since then, but whenever he can be strapped down in Chicago he is good for a daily contribution to the first page of the Tribune. Some say that he is a habit; others that he is an institution, the same as Hull-house or the Board of Trade. There is no denying that his work is immensely popular and that his sermonizing, although genial and apologetic, is most effective. Politicians sigh for the favoring stroke of his crow-quill pen, and the faithful who are working to lift up and cleanse and beautify Chicago hail him as their most valuable ally. He has the courage to find his topics among the little events that make up existence instead of hammering away at huge issues or fussing with public men who are already advertised beyond their merits. He never loses his temper and he has the rare gift of directing a cartoon against an opponent without tacking on a personal insult.
ca. 1900 [6] George Ade (b. 1866) & John T. McCutcheon (b. 1870).
1915 [7] June 5, ‘Moloch,’ Chicago Tribune.

A good many thousands of people in the Middle west wait every day for McCutcheon’s cartoon and miss him when he goes traipsing off to Africa to hunt big game. No cartoonist since Nast has had such a steadfast and loyal following. His salary, as newspaper salaries go in Chicago, is so large that many people refuse to believe it.
1915 [8] Wartime Comic Valentine, WWI.
2016 [9] Cover of the new 284-page book on McCutcheon and his work, Slow Ball Cartoonist, by Tony Garel-Frantzen, published by Purdue University Press, see HERE.

See more of McCutcheon’s World War I Comic Valentines, HERE.


&c&c&c



Friday, October 27, 2017

HERRIMAN JAILED IN MADRID

   

 LAST WEEK  an exhibition of George Herriman’s comic art opened in Madrid, Spain, in the Reina Sofia Museum, Sabatini Building, Floor 3 — curated by Rafael García & Brian Walker, and titled George Herriman; Krazy Kat is Krazy Kat is Krazy Kat — which will run from Oct 18, 2017, until Feb 26, 2018, with about 160 items on display, most original art, some of it printed

A quantity of original art never shown together before. Brian encourages you to go to Madrid and see it.


[a] is for adorable Herr.

[b] is for beautiful brick.

[c] is for cold and wet.
    
See the museum’s introduction HERE.
See the 2.37 min. YouTube intro in Spanish HERE.
See the 3.17 min. YouTube intro in English HERE.
See 50 photos of the preparations and opening HERE.

[the samples a and b are not on display in the show]

The 184-page catalogue.

Reina Sofia Museo, Madrid.


Wednesday, October 25, 2017

“CHIP” and His Dogs in The Munsey

     
[1] Chip (1862-94)

“The late Frank P.W. Bellew and his work as a humorous draftsman — Of the many comic types he created, the best are his inimitable dogs.”


“CHIP” AND HIS DOGS,
by Tom Masson,
in Munsey’s Magazine,
August 1905,
pp. 601-607
 
[2] p.601 
[3] p.602
[4] p.603
[5] Munsey’s Magazine, published by Frank A. Munsey, had the shorter cover title The Munsey.
      
[6] p.604
[7] p.605
[8] p.606
[9] p.607
[10] The book “Chip’s” Dogs was published in 1895, this is the cover of the 1897 edition.
[11] New Yorker Chip or Frank P.W. Bellew died young at 32.5 years — only six years after his father, Frank Bellew Sr. — and was buried the tenth of November, 1894, at Woodlawn Cemetery in the Bronx in New York, Fern section 77.

THANKS TO:
Chris Wheeler
Ginny M.


Thursday, September 7, 2017

Charlie Peace – His Amazing Life and Astounding Legend


IT IS A CURIOUS FACT that, though crime is not unusually rife with us, we have been more inclined than other nations to make pets of interesting criminals. ‘Popular Heroes’ in Chambers’s Journal, October 24, 1863
     
 CRIME  English connoisseurs of crime may be proud of having had among them so great an artist as Charles Peace, the eccentric rubber-faced burglar, inventor, and cop-killer. Once Peace had been launched into eternity by the hangman Marwood the pockets of the penny-a-liners were emptied. From that point on the journalistic fraternity referred to him as the “late lamented” Charlie Peace. “In the hagiology of house-breaking,” wrote Judge Parry in Drama and the Law, “the sainted figure of Charles Peace stands in solitary grandeur — clear and illumined in the golden pinnacles of crime … that he was a really great man I cannot doubt.”
 DRAMA  Nottingham dramatist MICHAEL EATON tells how following the sensational trial and death of Charles Peace his life became the stuff of legend and myth. The myth was formed by broadsheets, children’s songs, songs set to popular tunes and hymns, penny literature, waxworks, articles in illustrated police newspapers, melodramatic stage thrillers, silent films, and British comics. Eaton — known for his stage plays and BBC radio dramas — writes in an engaging personal style from a humorous perspective.
 POLICE NEWS  The book begins with a brief outline of the criminal career of Charles Peace followed by several excerpts and sensational front-page illustrations drawn from the complete reportage in George Purkess Jr’s Illustrated Police News (subtitle: ‘Law Courts and Weekly Record’). Also included is the complete text of “THE WORST NEWSPAPER IN ENGLAND,” an Interview with the Proprietor of the “POLICE NEWS,” which was published in the Pall Mall Gazette on 23 Nov 1886. Also reproduced is an interview with the hangman.
 PENNY PAPERS  On March 1, 1879 Purkess issued Charles Peace; or, the Adventures of a Notorious Burglar by a Popular Author which ended early in 1881 after 100 penny weekly numbers. Eaton’s section on this periodical, “The Legend is Formed,” has commentary, excerpts and numerous illustrations. The most fascinating section of the book is “Stage-Struck Charlie” where Eaton has dug up texts to numerous obscure blood and thunder melodramas based on the life and crimes of Peace. Again, he provides ample excerpts from the plays.
 MOVIES  Next is a large section on Charles Peace in the movies, illustrated with a few dozen stills. Although the book is rather small-sized the copious illustrations are sharp and clear, all taken from the original sources. The reproductions from the daffy Valiant comic The Astounding Adventures of Charlie Peace are in clear resolution with easily readable text.
 COVERED…  The cover is by graphic artist EDDIE CAMPBELL (‘From Hell’); and part of an illustration that originally advertised Michael Eaton’s 2013 melodrama with a similar title (see HERE). This book on Charlie Peace has to be one of the year’s highlights in the true-crime genre – graphic, obsessive, funny and essential. Published on 23 June 2017 it is available worldwide on Amazon, and from the book’s publisher Five Leaves Publications HERE.


Charlie Peace – His Amazing Life and Astounding Legend, A kaleidoscope of true and not-so-true crime, paperback: 300 pages, size 15.8 x 1.8 x 23.4 cm, ISBN-10: 1910170305, ISBN-13: 978-1910170304, 




Monday, September 4, 2017

News Item: Heroes of the Home Front


     
Heroes of the Home Front — a forthcoming book by Ivan Kocmarek — will present 300+ pages of backstory information on WWII Bell Features artists and reproduce 150+ pages of great original art. See a filmed introduction (1:46 min.) to it HERE.


Thursday, August 17, 2017

Three centuries of Penny Dreadfuls...

     
My penny dreadful history book enters the production stage now. Its planned publication date is June 2018.
This is a preview of my proposed cover design for Thieves’ Literature. Three centuries of Penny Dreadfuls, Sensational Literature & Popular Melodrama, from the early 1600s to the early 1900s.



Saturday, July 22, 2017

Pernicious Illustration – Pernicious Pictures

    
[1] From F. Opper’s Happy Hooligan, 1911

 PERNICIOUS ILLUSTRATION! 
xx 
“A worse pabulum for young America could hardly be concocted by Satan himself. The combined influences of the home, the public schools, and all the churches together are hardly sufficient to undo the mischief wrought in the minds of children by this never-ceasing flood of hell-broth.” — Henry Turner Bailey, 1911
xx 
 PERNICIOUS PICTURES
HENRY TURNER BAILEY in 1911 started a brief discussion with his 5-page article Pernicious Illustration in a brand new monthly trade magazine, The Graphic Arts (subtitle: ‘for Printers and Users of Printing’). Comments of two other authors followed in a later issue, under the general header “Pernicious Illustration” Again; The Other Side of the Matter. Below are the pages 121-125 and 284-288 with all three articles, taken from The Graphic Arts, Vol. I, January-June 1911, National Arts Publishing Company, Boston, MA. 
Pernicious Illustration by Henry Turner Bailey.

Another Aspect of Newspaper Humor by Brainard Leroy Bates.

A Plea for the Pernicious Pictures by Joseph Swerling. 

[2] Page 121
[3] Page 122
[4] Page 123
[5] Page 124
[6] Page 125
[7] Page 284
[8] Page 285
[9] Page 286
[10] Page 287
[11] Page 288
[12] F. Opper, Happy Hooligan Makes a Hit! But It Wasn’t on the Programme, a full page comic strip in the Sunday Chicago Tribune of February 26, 1911


Tuesday, July 11, 2017

Comics — And Their Creators: Frank King



IT’S AN ODD THING that everyone who reads the strip — about Walt and Skeezix — seems to know that Skeezix is a door-step baby but that many persons are confused about the parentage of Corky and Judy. Every week I get letters asking about the two younger children, usually from persons who say they want to settle a debt. Corky, you will recall, is the son of Walt and Phyllis, but Judy was left in the Wallet car and adopted by the Wallets. We changed the technique a little in her case, and instead of calling her a door-step baby she was called the “running board baby.” — ‘He’s the King of Gasoline Alley,’ in Chicago Tribune; said by Frank King, March 26, 1948
        
1933 [1] Literary Digest, Dec 16
1931 [2] Jan 11
1928 [3] June 1o
1927 [4] Chicago Tribune, Jan 23


Monday, July 10, 2017

Charles Dickens, Nicholas Nickleby and the Yorkshire Schools

   

 Charles Dickens, Nicholas Nickleby and the Yorkshire Schools; Fact v Fiction, is a new book by Yesterday’s Papers contributor, Robert J. Kirkpatrick.

IN 1838, in The Life and Adventures of Nicholas Nickleby, Charles Dickens set out to expose the “scandal” of cheap Yorkshire boarding schools. Controversy over the accuracy and fairness of Dickens’s claims about these schools, as portrayed by Dotheboys Hall and its tyrannical master, Wackford Squeers, has raged ever since. Most attention has been focused on the supposed model for Dotheboys Hall, Bowes Academy in what was then the North Riding of Yorkshire, and its proprietor William Shaw. This has left many other aspects of the controversy under-explored. Dickens and his supporters, and many critics, made claims about the schools and the effect that Nicholas Nickleby had on them which can now be shown to have been wildly inaccurate.

This book sets out to explore these myths, to present a comprehensive history of the Yorkshire schools (in particular told through their advertisements), and to collect all the previously-published accounts of life at these schools — those that appeared before 1838 and those that appeared afterwards — bringing them all together for the first time. It is hoped that, by presenting all the evidence in one place, a full and balanced picture of the Yorkshire schools will help differentiate between the facts and the fiction.

Published by Mosaic (Teesdale) Ltd., Snaisgill, Middleton-in-Teesdale,
Co. Durham DL12 0RP 
Paperback, 380 pages.
Available HERE.


Saturday, June 3, 2017

Worden Wood, the Ghost of Buster Brown

        

  R |ichard Fenton Outcault grew to despise his own creation, THE YELLOW KID, once it became associated with Yellow Journalism. On several occasions he downright cursed him.
      
“When I die, don’t wear yellow crepe, don’t let them put a Yellow Kid on my tombstone, and don’t let the Yellow Kid himself come to my funeral.” — R.F. Outcault (1863-1928)
     
Outcault was three-plus years away from the Herald when the topper and the following page from BUSTER BROWN ON HIS TRAVELS, Cupples & Leon, 1909, were drawn. Rick Marschall informs us BUSTER BROWN was drawn, anonymously, these years by Worden Wood.

Other Buster Brown ghosts included Will Lawler, Norman Jennett and Wallace Morgan. Rumor has it that Winsor McCay drew a few Buster Brown pages in 1910.

Checking some Sunday pages with Little Nemo on the front page, Pierre-Henry Lenfant of Lomé (TOGO) found on the reverse some unsigned ghosted black and white Buster Brown (below). Those pages were published in 1909 in the Los Angeles Sunday Times, and the Saint Louis Republic and would also appear to be Worden Wood’s work. 


[1] Worden Wood, 1909
[2] May 16, 1909
[3] Sep 12, 1909
[4] Dec 19, 1909
[5] Brazilian kids magazine O Tico-Tico, 
No. 559, June 21, 1916
Artist 
Luís Gomes Loureiro.
[6] By Worden Wood, 1909
[7] By R.F. Outcault, Aug 16, 1903

¡!¡

    
Thanks to my dear niece Megan Evans for the gift of Buster Brown on His Travels.